Online dating site commercials 2016

When our protagonist crashes a gathering of tech-cult followers, the story’s blend of social media futurecasting and undercover intrigue gives way to an audio bottle episode that flips the script on everything that’s come before.

Animated films have always been populated by voices belonging to comedians whose material is decidedly unsafe for youngsters.

Taking a wider view of the political landscape and moving outside the Washington bubble, it’s an interesting parallel to the potential salves for the very political system it’s dramatizing.

After initially setting their sights inward, chronicling the creation of Gimlet Media, “Start Up” has done a fine job documenting the travails of nascent businesses (last year’s Dating Ring season) and established business leaders (this season’s deep dive into the comeback attempt of former American Apparel head Dov Charney) alike.

This introspective series, regardless of the focus, continues to be a rarity in the entertainment world.

Nate Corddry’s “Reading Aloud” departed the podcast airwaves earlier this year, but not before leaving behind a hearty collection of fiction and essays read by a fine group of actors and comedians (Aya Cash, Jimmi Simpson and Alison Pill were among this year’s guests).

One of our picks for the best episodes of the first half of 2016 was one of the early “Modern Love” entries, featuring Sarah Paulson’s performance of Amy Seek’s “Open Adoption: Not So Simple Math.” The simple beauty of “Modern Love,” which brings in notable names to read selections from the regular New York Times column, is that it can balance the playful and the sorrowful, the curious and the gutting.

This edition of the show also shows how the different versions of love can help shape different versions of family.

And, as with other “Modern Love” episodes, the show’s second half gives time for the author to add some of their own reflections to a very personal exercise.

As he discusses the curious circumstances that led to his role as Iago the parrot in “Aladdin,” Gilbert Gottfried certainly doesn’t shy away from his NSFW bonafides.

But underneath that brash exterior is a thoughtful consideration of a career that’s seen its share of controversy and missteps.

What transpires in the latter half of this second chapter in the series is a terrifying cacophony of screams, shots and a creature that doesn’t seem to belong in our world.

Strap on a pair of noise-canceling headphones, close your eyes and make sure all the lights are on when you’re finished.

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“The Deep Vault” is a medley of throwbacks to a radio sci-fi landscape of the 40s and 50s, which thrived on monotone-voiced robots, out-of-this-world mind melds and sinister government plots.

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